It covers the zoom range of Sony’s 24-70mm plus 70-200mm zoom lenses and even offers 20% more reach on the long end going up to 240mm focal length. The length to which you are able to move the lens forward towards a subject, allowing you to capture it in close detail, which is normally done by twisting a ring on the lens. ), but am pretty confident it’d survive the fall if I did. We've also provided a more costly option for those with more to … Specialising in fixed focal length prime lenses, and catering for a variety of lens mounts, Rokinon (Samyang) could prove the ideal choice for your next lens purchase. Sony’s premium standard zoom lens covers the sweet spot for all manner of professional photography. This is another budget-friendly option, but this one is for full-frame cameras (although it can also be used with APS-C sensors). Sony 28-70mm f/3.5 - 5.6 kit lens; Sony 24-105mm f/4 G (click for full review) And I'm going to take you through Sony's portrait lenses so you can get a better idea of which lenses will work for you in 2021 and beyond. Depending on your needs it may be wide enough, or you may want to go with another option. It’s hard after all to differentiate between very good and great, when lens quality is already more than most of us will ever need. Disclaimer: All recommendations are impartial and based on user experience, with no bias to the products or the brand. The 28mm f/2 is currently the most affordable Sony FE prime lens (see the latest price here), and an absolute bargain when compared to wide angle lenses of a similar caliber by other manufacturers. ), and this one from Sony is no different, at 630 g (22.22 oz). Stable, fast, versatile, and compact, the new Sony a6400 mirrorless camera boasts the world’ s fastest AF acquisition of 0.02 seconds, Real-time Eye AF and Real-time Tracking capabilities, high-speed shooting up to 11 fps and … Personally I’m really loving the way the images pop straight out of camera with the Zeiss lenses and that is also one of the reasons why I tried to get in contact with them a few years back. Highly recommended! Highly recommended! It can be extremely useful to pick a lens that has a large focal range, as you can pick and choose and adapt to the scenes around you. It’s fair to say that any of the Sony products with the word ‘Zeiss’ on the side really excel in image quality, especially the fast primes such as this one. Additionally, you will not have to worry about any shakiness appearing in your images thanks to the integrated stabilization system. Now that you’ve got over that initial shock, why the heck am I recommending such expensive glass in a roundup that’s supposed to cater for the average photographer?! Perfect for those late night adventures, whether you’re spending time in the city capturing the neon lights, or sitting out under the stars — this lens will give you what you’re looking for. If your budget is much higher, you can splash-out on three of Sony’s best prime lenses: the Sony FE 24mm f1.4 G Master, Sony FE 50mm f1.4 ZA and Sony FE 85mm f1.4 GM will delight any lucky owner. GM stands for ‘G Master’ – the premium Sony e mount lenses, similar to Canon’s L series. If you can get close enough to the subject, the bokeh exhibited by the Sony 16-35mm f/2.8 is smooth and creamy, although to really maximise the effect, you’ll need to be shooting at 35mm. If you’re looking for a wide angle zoom lens with the best image quality and can justify the price tag, there simply isn’t a better option than the Sony 16-35mm f/2.8. You can choose to stick to lenses that are produced by the same company as your camera (Nikon, Canon etc. Yes, at a 1.5x focal length and maximum aperture multiplication. Colours are precise and vibrant, so JPEG shooters who don’t want to spend any time behind a computer can be confident of nailing the shot straight-out-of-camera. Wide-angle primes. Owners of the Sony 16-35mm f/4 Zeiss OSS may not want to read any further, but let me just say this before digging deeper – the Zeiss version is smaller, lighter, cheaper, and can deliver outstanding results. Our top picks for Sony E-mount lenses include the Sony Vario-Tessar T* FE 16-35mm f/4 ZA OSS and the Sony Vario-Tessar T* FE 24-70mm f/4 ZA OSS. At half the weight of the camera body, it’s the perfect complement to the slender Sony APS-C sensor bodies. Distortion is minimal, but this is probably due to Sony mirrorless bodies which correct most distortion in-camera. Let’s start with the bad news – this is one expensive lens. 886 g. If you want one lens that can handle pretty much any shooting scenario and produce clear, vibrant and sharp images with incredible detail, the Sony 24-70mm f/2.8 should be at the top of your wish-list. Also, this guide to the best lenses for Sony a6400 shooters should be useful too. The best performers are the Sony FE Carl Zeiss Sonnar T* 55mm F1.8 ZA and the Sony FE 85mm F1.4 GM, which both scored an excellent 49 points. . Sony G Master is the premium lens series of Sony's arsenal, and this Sony FE 24mm f/1.4 doesn't disappoint. The dust sealing and water resistant fluorine coatings enable you to take this lens with you to any environment without worrying about the damage that the elements may cause. Regardless of how low the lighting conditions are, this Sigma lens provides professional sharpness and quality. Sony a6000 + 35mm f/1.8 | © Rambo Estrada. It is known as one of the manufacturer’s sharpest lenses and produces quite a nice sunstar. All FE lenses are compatible with the Sony a6000 series and all other Sony e-mount crop sensor cameras. Rokinon’s wide angle lens is the best you could get at an affordable price. The zoom and focus mechanisms are extremely smooth, and you will find little to no distortion, which can be common in zoom lenses. If you’re coming from another camera system and have always used f/1.4 lenses, give the 85mm f/1.8 a shot before sinking your cash into other options. Best Lenses for Sony A6000 in 2021: 1. Unless you’re shooting in low-light all the time, f/4 plus image stabilization and Sony’s excellent high ISO capabilities may be all you need. This design keeps the aperture open, allowing for a smooth blur to be captured. With a low weight and compact design, the Nikon 10-24mm is a great lens to travel with, so you won’t have to stress about carrying too much gear with you on the trail. One nice touch is the aperture ring which allows aperture adjustments to be made on the lens. FE Lenses on APS-C Cameras. Add in f/1.4 for beautiful subject separation and incredible low-light performance, and you have pretty much the ultimate prime lens for Sony shooters. The lens is a high-speed standard zoom lens and is user friendly. Most of the advantages of G Master lenses over regular Sony lenses, or even Zeiss lenses, are admittedly a little hard to quantify by the average photographer. Sony – FE 16-35mm F2.8 GM Wide-angle Zoom Lens. It performed impeccably at a competitive price point. I’m interested to hear if you agree or disagree with any of my choices, so please feel free to leave a comment below to continue the discussion. As for image quality, this is another f/1.8 Sony lens that really excels with its sharpness. The good news is that FE lenses are compatible on APS-C cameras. The build quality is great, and weather sealing is included. It also has a nano crystal coating which reduces ghosting and flare. Sony FE 55mm f1.8 ZA review The Sony FE 55mm f1.8 ZA from 2013 is a very successful standard lens: small, light, sharp across a 42MP full-frame sensor, with excellent resistance against flare and glare in adverse contra-light situations It may only offer an f1.8 focal ratio but its slightly longer 55mm focal length compensates a bit when it comes to background … Let’s just say that if sharpness, clarity and low-light performance/ability to blur the background is most important to you, carry on reading ;-), 16-35mm is an extremely useful focal range for all types of photographer. Weighing in at 680g (24 oz), it’s light and a great choice for landscape photography. The lens’ aperture, measured in f-stops, is what contributes to how much light will get through and reach the camera’s sensor. 154 g. Still on the topic of small, lightweight lenses that pair perfectly with Sony mirrorless cameras, the Sony 35mm f/1.8 deserves pride of place in this list. If you’re looking to photograph some wide open spaces, such as large stretches of rainforest, mountain areas, or horizons, an ultra wide angle lens may be right up your alley. Want to learn more about a technical term? It’s my ‘money lens’, a real workhorse that delivers great-looking images over and over, and allows me to shoot in near darkness with no flash. The ultra wide angle aspect of this lens gives you the ability to capture the whole scene in one image, without distortion or vignetting. 2. Sony FE 16-35mm f/2.8 GM. The f/4 Zeiss version is an affordable and tempting alternative, but you’ll be left wondering how much better your image could have looked…! Yes there’s an f/4 Zeiss version and even a 28-70mm f/3.5-5.6 Sony offering too… but they’re all outperformed by the 24-70mm f/2.8. We look at the best in our guide to Sony FE mount lenses. Sony SEL-20F28 E-Mount 20mm f/2.8 View Prices on Amazon Here are our top recommended lenses for Sony a6400 APS-C format mirrorless camera. Companies such as Sigma and Samyang that have been around for a number of years are some that can be considered comparable in quality to those that are branded. If you want to step up the image quality considerably on your a6xxx series camera, the Sigma 30mm f/1.4 is a good bet – that fast maximum aperture will deliver great bokeh, and get you out of trouble in low-light too. At only 200 g and a truly pocketable size, I imagined this would be my ‘everyday lens’ for non-professional use, or the lens I’d attach to my new a7 III when traveling. Keep reading to find out about the best lenses for landscape photography for Nikon, Canon, Fujifilm, and Sony. The Sony FE 600mm f/4 GM OSS Lens is one of the sharpest lenses I've ever used — the image quality it produces is outstanding. A real workhorse that delivers great-looking images over and over, and allows you to shoot in near darkness with no flash. As for FE mount (full frame) Sony cameras, my favourite prime is the Sony 35mm f/1.4 which I reviewed below. f/2.8 used to be considered sub-par for low-light photography, but with the high ISO capabilities of full frame cameras these days, it’s more than adequate. Read on for more about these and other recommended lens choices for shooting landscapes with Sony E-mount. Opening up your aperture to f/1.8 can mean the difference between a blurry image (caused by too slow a shutter speed) and a sharp one, (where using a wider aperture allows a faster shutter speed). Summary of the Best Sony 50mm Lenses. Sony FE PZ 28-135mm f/4 G OSS. Sony does make 50mm 1/.8 lenses for both E and FE mount cameras, but this 55mm is faster to auto-focus and sharper, making it definitely worth the additional expense if you plan to use it a lot. Able to cover everything from wide-angle to telephoto in a single compact form factor, the Sony FE 24-240mm f/3.5-6.3 OSS lens is a one-lens solution that can reduce baggage when traveling and maximize efficiency at busy events, and it is ideal for landscape, snapshots, portraits and travel where reducing luggage is a priority. Since APS-C sensors are smaller, the FE lenses can also be used on the Sony APS-C sensor range (also known as NEX), albeit at a 1.5x focal length and maximum aperture multiplication. It’s important to understand the difference between Sony FE and Sony E-mount lenses (we’ve ignored Sony A mount lenses in this review, which are for Sony’s non-mirrorless range of cameras). By Nasim Mansurov 57 Comments Last Updated On February 16, 2019. The Sony FE 24-240mm f3.5-6.3 OSS (model SEL 24240) is an all-in-one zoom from 2015 designed for Sony’s Alpha mirrorless cameras and corrected for full-frame sensors. Below you can read some examples of how different lenses resolve in different focal lengths depending on the sensor size & lens format. In fact, I’d go as far as to say it’s my favourite lens for a crop sensor Sony body such as the a6000. Sony a7RII +  24-70mm f/2.8 | © Tony Gale. An aperture of f/1.8 also means that you’ll be able to get that coveted ‘blurred background look’ that really separates lesser cameras. Announced to complement the first Sony A7 and A7R mirrorless cameras, the 55mm f/1.8 was the perfect match for these groundbreaking devices. Having a large aperture, however, can cause for the lens to rise significantly in price in comparison to a lens that doesn’t have as large of an aperture. The Sigma 24-35mm F/2 DG HSM ART lens combines the excellent performance of a typical prime lens and the versatility that comes with using a zoom lens. Build quality is decent, although not the all-metal tank-like build you’ll see with G Master or Zeiss lenses. Highly recommended! Coming to you from Hyun Ralph Jeong, this great video review compares five wide-aperture 85mm lenses for Sony shooters, including: Sigma 85mm f/1.4 DG DN Art Lens Sony FE 85mm f/1.4 GM On a cropped sensor Sony mirrorless camera, this lens will give roughly a 50mm field of view (52.5mm), which is ideal for a whole range of subjects. The sharpness and color quality you will receive when using this lens is hard to beat, even when it is zoomed all the way in for a macro shot of some flowers on the side of a snowy mountain. Sony a7RIII +  85mm f/1.8 | © Gold Hat Photography, So when I switched to Sony, I decided on the 85mm f/1.8 and haven’t looked back. I call it the ‘lazy lens’, as you can literally shoot an entire wedding with one, barely moving your feet all day! For more of our top landscape photography lens recommendations, check out these popular articles: Canon Lenses for Landscape Photography | Nikon Lenses for Landscape Photography. Using a 50mm Sony FE (full-frame) lens on your A6600 will result in a 75mm viewing angle (full-frame equivalent; A 12mm MFT-Mount lens creates the exact same viewing angle as a 24mm full-frame lens All in all, the 55mm f/1.8 is a gem of a lens to have in your camera bag… or indeed your jacket pocket, due to its diminished size/weight. For this price, I recommend the 85mm f/1.8 for any photographer who needs a versatile portrait focal length at a good price, which complements the size of a Sony mirrorless camera. Their e-mount format covers both APS-C … The bright f/1.8 maximum aperture benefits this lens's use in low-light conditions and also affords extensive control over depth of field when working with selective focus techniques. Sony FE 70-200mm f/2.8 GM OSS Lens . Build quality is top-notch, as you’d expect from a Zeiss lens. Launched in October 2013, the full-frame version of Sony’s E mount (known as the FE mount) is used with the company’s full-frame Alpha 7 compact system cameras. Best lenses for Sony APS-C mirrorless cameras For each of the categories below the winner was the lens which we found to offer the best combination of quality and value. On a Sony e mount camera like the a6000, it’ll become a 142mm lens, also great for portrait photography. Sure, your smart phone’s ‘portrait mode’ may be able to do something similar, but the process is much slower with the mobile phone and its fancy A.I. For some of us here at it’s a length we adore, and have more 50s than any other focal length. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.3 m Filter Diameter: 72 mm Size: 78.5 mm (diameter) x 112 mm (length) Weight: Approx. Traditionally, the best lenses for landscape photography are wide-angle lenses that allow for capturing ample scenes in a single frame. The best zoom lenses available today have excellent image quality, and they are my choice for a significant percentage of my landscape photographs. Well, this Sony 85mm f/1.8 was the third lens I settled on. The fast 35mm prime lens is a stable of the wedding photography industry, partly for its ability to suck in more ambient light when light levels are low, and partly due to its gorgeous bokeh. 35mm is also a great focal length as discussed previously, but the advantage of this lens isn’t to be able to shoot at 16mm or 35mm, but rather, having the flexibility to alter the field of view between these two distances. That’s why I’ve tried to collect top 10 best A6000 lenses (from the “picture quality/price” perspective) that can be useful for a beginning photographer. I have to say that the auto-focus speed of the 35mm f/1.8 when mounted to the Sony a6000 wasn’t amazing, especially when the subject was heavily back-lit. I’m not a fan of shooting extensively with a 24mm, so was worried that 28mm would be touch too wide, but it’s actually not too daunting. FE lenses can be used on E mount cameras, but E lenses cannot be used on FE mount cameras. The Canon EF 16-35mm III USM is an incredible ultra wide angle zoom lens with a constant maximum aperture of f/2.8, providing incredible landscape shots regardless of what the weather is like outside. In actual fact, it turned out to be much more than that…. This Sony lens has convenient zoom and focusing rings. If you’re coming from another camera system, investing in two Sony mirrorless full frame bodies and several lenses may be out of your budget. The ‘Distagon’ in its full name (Sony FE 35mm f/1.4 Zeiss Distagon T*) refers to a lens design which helps reduce distortion. Options for all-round use have always had multiple issues with both types mounted at the best lenses landscape... 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